Shah Rukh Khan’s six-pack body and intense gaze are combined in the pop-masala hit Jawan, which was directed by Atlee. Anyone who is familiar with Atlee’s prior major hits will be aware of how much he enjoys going big and offering us family dramas drenched in sentiment. Even if you don’t like Shahrukh Khan, there are still eight reasons to see Jawan.
A plethora of social messages
The film, which was written by Atlee, Sumit Arora, and S. Ramanagirivasan, discusses a variety of social topics, such as farmer suicide, corruption, anti-environment industrialists, and illegal arms sales.
Despite being political, it is not a campaign!
Jawan is not a pro-Congress propaganda film, despite the fact that the movie has already sparked a political debate due to people making fun of the BJP, the AAP utilising the dialogue for its own gain, and Congress fans. In the movie, a regular guy confronts the establishment and speaks out against injustice and corruption. No political party is being disparaged in this. A normal man’s voice is amplified in this movie by the harsh realities that exist in our society. Overall, the movie contains a lot of political commentary.
Superb action
Nobody in action is as skilled with swagger as Atlee. The action scenes in “Jawan” are some of the best ever.
The ideal family entertainment!
Jawan’s true calling is as a family entertainer. The movie contains all the key components of a blockbuster film. This tale of love, selflessness, and tenacity is an unabashed crowd-pleaser with all of its action, feelings, romance, and drama.
Real-life happenings
The film alludes to real-life incidents such as the 2017 Gorakhpur hospital catastrophe, in which more than 60 children died of encephalitis as a result of the government’s negligence in supplying oxygen, and the tragedy of the Bhopal Gas Leak Accident, which is considered the deadliest man-made disaster ever.
No teaching or satsang
The film doesn’t make any overt attempts to preach. It has all the elements that make it a popular film and a commercial success, including action, romance, blood, and gore. It’s a movie that might even make you get up and dance in the theatre alongside SRK fans, and you might even start laughing out loud at the blunt and frank dialogue.
Girls’ Power
Despite the assertions that there are six women in the movie and that SRK is a champion of women’s empowerment, the reintroduction of the silent hierarchy and the covert remarks remain. So much for the idea that women may be powerful when they are still portrayed as emotional and self-sacrificing members of creation. The best part is that they were all given enough screen time.
The widely acclaimed dialogue by Shah Rukh Khan!
Jawan also features a few exchanges that are emotionally powerful, as shown in the teaser. Additionally, Shah Rukh Khan’s monologue in the movie is already popular and has earned a spot as a fan favourite. Politicians also employ this particular dialogue.
Excellent performances!
In addition to SRK, the movie also stars Vijay Sethupathy, lady mega star Nayanthara, Sanya Malhotra, Priyamani, Sanjeeta Bhattacharya, Sunil Grover, Yogi Babu, Riddhi Dogra, and Eijaz Khan. Deepika Padukone and Sanjay Dutt’s cameo performances have also received positive reviews from the audience.
An eye-candy feast!
The best way to appreciate Jawan’s stunning visuals is to watch it on a large screen, from the art direction to the action scenes, costume design, and special effects.
Given that “Jawan” was produced by the actor’s and his wife Gauri Khan’s Red Chillies Entertainment, it’s not surprising to see how formulaic the movie’s made-up plot is. By now, the fact that this is a Shah Rukh Khan movie brings up certain predictable expectations. However, “Jawan”‘s makers spend a bit too much time attempting to make us believe that Khan’s enigmatic antihero, who, following an overdone but nonetheless thrilling flashback action sequence, holds a train full of commuters hostage, is someone we don’t truly know. If you were to follow Atlee’s style of directing, you’d see how he creates the illusion of numerous films within one.
Atlee’s focus on fan-worshipping heroism is the most crucial thing, probably more important than the story and the screenplay. G. K. Vishnu’s cinematography excels in the action scenes, but it’s again the ground action, the hand-combats, that get the most detailed camerawork.
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